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	<title>The Hands of Bresson</title>
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	<description>Sundry observations on the art of cinema and world film culture</description>
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		<title>The Hands of Bresson</title>
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		<item>
		<title>Radu Muntean Interview: Tuesday, After Christmas</title>
		<link>http://eyeonfilm.wordpress.com/2011/05/26/radu-muntean-interview-tuesday-after-christmas/</link>
		<comments>http://eyeonfilm.wordpress.com/2011/05/26/radu-muntean-interview-tuesday-after-christmas/#comments</comments>
		<pubDate>Thu, 26 May 2011 00:52:16 +0000</pubDate>
		<dc:creator>eyemaster</dc:creator>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[adultery]]></category>
		<category><![CDATA[affairs]]></category>
		<category><![CDATA[After]]></category>
		<category><![CDATA[Christmas]]></category>
		<category><![CDATA[Damon Smith]]></category>
		<category><![CDATA[divorce]]></category>
		<category><![CDATA[extramarital]]></category>
		<category><![CDATA[film directors]]></category>
		<category><![CDATA[independent film]]></category>
		<category><![CDATA[interview]]></category>
		<category><![CDATA[Radu Muntean]]></category>
		<category><![CDATA[Romania]]></category>
		<category><![CDATA[Romanian cinema]]></category>
		<category><![CDATA[Tuesday]]></category>

		<guid isPermaLink="false">http://eyeonfilm.wordpress.com/?p=880</guid>
		<description><![CDATA[Too often in the movies, affairs are either blithely romanticized in the grand European tradition of middlebrow “passion” films (The French Lieutenant’s Woman comes to mind) or used as a teaching tool to bludgeon audiences into accepting a damning moral perspective on the consequences of extramarital activity. (See Little Children, for instance.) Life has its own current, [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=eyeonfilm.wordpress.com&#038;blog=6328082&#038;post=880&#038;subd=eyeonfilm&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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			<media:title type="html">Tuesday, After Christmas</media:title>
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	</item>
		<item>
		<title>Interview with Lu Chuan: &#8220;City of Life and Death&#8221;</title>
		<link>http://eyeonfilm.wordpress.com/2011/05/13/interview-with-lu-chuan-city-of-life-and-death/</link>
		<comments>http://eyeonfilm.wordpress.com/2011/05/13/interview-with-lu-chuan-city-of-life-and-death/#comments</comments>
		<pubDate>Fri, 13 May 2011 12:44:08 +0000</pubDate>
		<dc:creator>eyemaster</dc:creator>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[China]]></category>
		<category><![CDATA[City of Life and Death]]></category>
		<category><![CDATA[Damon Smith]]></category>
		<category><![CDATA[film directors]]></category>
		<category><![CDATA[interview]]></category>
		<category><![CDATA[Lu Chuan]]></category>
		<category><![CDATA[Nanjing massacre]]></category>

		<guid isPermaLink="false">http://eyeonfilm.wordpress.com/?p=873</guid>
		<description><![CDATA[When Lu Chuan’s City of Life and Death won the top prize at the San Sebastián Film Festival two years ago, it was a testament not only to the emotional resonance and technical mastery of his widescreen black-and-white epic, which dramatizes the infamous 1937 Nanjing massacre at the height of the Second Sino-Japanese War, but a tacit [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=eyeonfilm.wordpress.com&#038;blog=6328082&#038;post=873&#038;subd=eyeonfilm&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>1</slash:comments>
	
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		<item>
		<title>Clio Barnard: Reverse Shot Talkies #28</title>
		<link>http://eyeonfilm.wordpress.com/2011/05/01/clio-barnard-reverse-shot-talkies-28/</link>
		<comments>http://eyeonfilm.wordpress.com/2011/05/01/clio-barnard-reverse-shot-talkies-28/#comments</comments>
		<pubDate>Sun, 01 May 2011 17:28:17 +0000</pubDate>
		<dc:creator>eyemaster</dc:creator>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Video]]></category>
		<category><![CDATA[British cinema]]></category>
		<category><![CDATA[Clio Barnard]]></category>
		<category><![CDATA[Damon Smith]]></category>
		<category><![CDATA[documentary]]></category>
		<category><![CDATA[film directors]]></category>
		<category><![CDATA[lip synch]]></category>
		<category><![CDATA[The Arbor]]></category>
		<category><![CDATA[verbatim theater]]></category>

		<guid isPermaLink="false">http://eyeonfilm.wordpress.com/?p=869</guid>
		<description><![CDATA[In our latest Talkie, Eric Hynes talks to filmmaker Clio Barnard about the slippage between reality and representation in her new documentary-fiction hybrid THE ARBOR, which utilizes an evocative lip-synch technique to explore the gritty legacy of celebrated British playwright Andrea Dunbar.<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=eyeonfilm.wordpress.com&#038;blog=6328082&#038;post=869&#038;subd=eyeonfilm&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
		<wfw:commentRss>http://eyeonfilm.wordpress.com/2011/05/01/clio-barnard-reverse-shot-talkies-28/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
	
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		<item>
		<title>Interview with Clio Barnard: The Arbor</title>
		<link>http://eyeonfilm.wordpress.com/2011/04/27/interview-with-clio-barnard-the-arbor-2/</link>
		<comments>http://eyeonfilm.wordpress.com/2011/04/27/interview-with-clio-barnard-the-arbor-2/#comments</comments>
		<pubDate>Wed, 27 Apr 2011 20:56:07 +0000</pubDate>
		<dc:creator>eyemaster</dc:creator>
				<category><![CDATA[Interviews]]></category>

		<guid isPermaLink="false">http://eyeonfilm.wordpress.com/?p=860</guid>
		<description><![CDATA[Although Clio Barnard’s new film The Arbor chronicles the rough-and-tumble life of celebrated British playwright Andrea Dunbar (Rita, Sue and Bob Too), an alcoholic who died from a brain hemorrhage at age 29, it is anything but conventional in its aims and methodology. Shot in and around Brafferton Arbor, a street on the Buttershaw Estate in Bradford, [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=eyeonfilm.wordpress.com&#038;blog=6328082&#038;post=860&#038;subd=eyeonfilm&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>0</slash:comments>
	
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			<media:title type="html">The Arbor</media:title>
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		<item>
		<title>RIP Tim Hetherington</title>
		<link>http://eyeonfilm.wordpress.com/2011/04/20/rip-tim-hetherington/</link>
		<comments>http://eyeonfilm.wordpress.com/2011/04/20/rip-tim-hetherington/#comments</comments>
		<pubDate>Wed, 20 Apr 2011 21:03:43 +0000</pubDate>
		<dc:creator>eyemaster</dc:creator>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Video]]></category>
		<category><![CDATA[combat]]></category>
		<category><![CDATA[Damon Smith]]></category>
		<category><![CDATA[embedded]]></category>
		<category><![CDATA[Libya]]></category>
		<category><![CDATA[Misrata]]></category>
		<category><![CDATA[photojournalist]]></category>
		<category><![CDATA[Restrepo]]></category>
		<category><![CDATA[Tim Hetherington]]></category>
		<category><![CDATA[war]]></category>

		<guid isPermaLink="false">http://eyeonfilm.wordpress.com/?p=853</guid>
		<description><![CDATA[Last year, I had the pleasure of interviewing Restrepo co-directors Sebastian Junger and Tim Hetherington for Reverse Shot Video&#8217;s Direct Address series. Hetherington in particular I found to be charming, passionate, and remarkably insightful about how his work as a still photographer had guided his forst foray into feature filmmaking. I remember his discomfort looking [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=eyeonfilm.wordpress.com&#038;blog=6328082&#038;post=853&#038;subd=eyeonfilm&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>0</slash:comments>
	
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		<title>Reverse Shot Direct Address #11: Bertrand Tavernier</title>
		<link>http://eyeonfilm.wordpress.com/2011/04/16/reverse-shot-direct-address-11-bertrand-tavernier/</link>
		<comments>http://eyeonfilm.wordpress.com/2011/04/16/reverse-shot-direct-address-11-bertrand-tavernier/#comments</comments>
		<pubDate>Sat, 16 Apr 2011 15:31:03 +0000</pubDate>
		<dc:creator>eyemaster</dc:creator>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Video]]></category>
		<category><![CDATA[Bertrand Tavernier]]></category>
		<category><![CDATA[Damon Smith]]></category>
		<category><![CDATA[film directors]]></category>
		<category><![CDATA[French cinema]]></category>
		<category><![CDATA[La princesse de Montpensier]]></category>
		<category><![CDATA[period film]]></category>

		<guid isPermaLink="false">http://eyeonfilm.wordpress.com/?p=850</guid>
		<description><![CDATA[Reverse Shot trashes a hotel room with French director Bertrand Tavernier (LA PRINCESSE DE MONTPENSIER, ROUND MIDNIGHT), then chats with him about historical accuracy, creative urgency, and film criticism.<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=eyeonfilm.wordpress.com&#038;blog=6328082&#038;post=850&#038;subd=eyeonfilm&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
		<wfw:commentRss>http://eyeonfilm.wordpress.com/2011/04/16/reverse-shot-direct-address-11-bertrand-tavernier/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
	
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			<media:title type="html">eyemaster</media:title>
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		<title>Reverse Shot Direct Address #10: Patricio Guzmán</title>
		<link>http://eyeonfilm.wordpress.com/2011/04/06/reverse-shot-direct-address-10-patricio-guzman/</link>
		<comments>http://eyeonfilm.wordpress.com/2011/04/06/reverse-shot-direct-address-10-patricio-guzman/#comments</comments>
		<pubDate>Wed, 06 Apr 2011 19:26:50 +0000</pubDate>
		<dc:creator>eyemaster</dc:creator>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Damon Smith]]></category>
		<category><![CDATA[film directors]]></category>
		<category><![CDATA[Latin America]]></category>
		<category><![CDATA[memory]]></category>
		<category><![CDATA[Nostalgia for the Light]]></category>
		<category><![CDATA[Patricio Guzmán]]></category>
		<category><![CDATA[poetry]]></category>
		<category><![CDATA[The Battle of Chile]]></category>

		<guid isPermaLink="false">http://eyeonfilm.wordpress.com/?p=846</guid>
		<description><![CDATA[Legendary documentary filmmaker Patricio Guzmán (NOSTALGIA FOR THE LIGHT, THE BATTLE OF CHILE) discusses memory, the poetic qualities of cinema, and why slow pacing returns us to the rhythm of life. A nine-film retrospective, &#8220;Obstinate Memories: The Documentaries of Patricio Guzmán,&#8221; launched in New York at BAMcinématek on April 1, 2011. As always, we tried [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=eyeonfilm.wordpress.com&#038;blog=6328082&#038;post=846&#038;subd=eyeonfilm&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>0</slash:comments>
	
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		<item>
		<title>SXSW: Whose Geek Week Was It?</title>
		<link>http://eyeonfilm.wordpress.com/2011/03/21/sxsw-whose-geek-week-was-it/</link>
		<comments>http://eyeonfilm.wordpress.com/2011/03/21/sxsw-whose-geek-week-was-it/#comments</comments>
		<pubDate>Mon, 21 Mar 2011 15:09:45 +0000</pubDate>
		<dc:creator>eyemaster</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[SXSW 2011]]></category>
		<category><![CDATA[Austin]]></category>
		<category><![CDATA[Damon Smith]]></category>
		<category><![CDATA[festival]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[film nerd]]></category>
		<category><![CDATA[geek]]></category>
		<category><![CDATA[Interactive]]></category>
		<category><![CDATA[SXSW]]></category>
		<category><![CDATA[techie]]></category>

		<guid isPermaLink="false">http://eyeonfilm.wordpress.com/?p=835</guid>
		<description><![CDATA[Spring break for geeks. That’s what the mainstream news media christened the South by Southwest Interactive Conference in 2008, just as this self-curated, little-engine-that-could collection of daylong panels, trade shows, and wowee-zowee multimedia presentations—dwarfed in past years by the debauched and much more heavily attended Music Festival—began to draw increasing numbers of registrants. (The current [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=eyeonfilm.wordpress.com&#038;blog=6328082&#038;post=835&#038;subd=eyeonfilm&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>2</slash:comments>
	
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			<media:title type="html">eyemaster</media:title>
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			<media:title type="html">revenge of the nerds</media:title>
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		<title>SXSW Short Ends: Kyle Smith</title>
		<link>http://eyeonfilm.wordpress.com/2011/03/18/sxsw-short-ends-kyle-smith/</link>
		<comments>http://eyeonfilm.wordpress.com/2011/03/18/sxsw-short-ends-kyle-smith/#comments</comments>
		<pubDate>Fri, 18 Mar 2011 19:31:57 +0000</pubDate>
		<dc:creator>eyemaster</dc:creator>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SXSW 2011]]></category>
		<category><![CDATA[Damon Smith]]></category>
		<category><![CDATA[Kyle Smith]]></category>
		<category><![CDATA[SXSW]]></category>
		<category><![CDATA[Turkey Bowl]]></category>

		<guid isPermaLink="false">http://eyeonfilm.wordpress.com/?p=833</guid>
		<description><![CDATA[In the last of our Talkie teasers, Eric Hynes and filmmaker Kyle Smith take a break from SXSW bedlam to toss the pigskin around and discuss Smith&#8217;s unique, assured debut TURKEY BOWL. Here Kyle relates the high school sports moment that might have consigned him to a lifetime of filmmaking.<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=eyeonfilm.wordpress.com&#038;blog=6328082&#038;post=833&#038;subd=eyeonfilm&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>0</slash:comments>
	
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		<title>SXSW Short Ends: Azazel Jacobs</title>
		<link>http://eyeonfilm.wordpress.com/2011/03/17/sxsw-short-ends-azazel-jacobs/</link>
		<comments>http://eyeonfilm.wordpress.com/2011/03/17/sxsw-short-ends-azazel-jacobs/#comments</comments>
		<pubDate>Thu, 17 Mar 2011 20:06:58 +0000</pubDate>
		<dc:creator>eyemaster</dc:creator>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[SXSW 2011]]></category>
		<category><![CDATA[Azazel Jacobs]]></category>
		<category><![CDATA[Damon Smith]]></category>
		<category><![CDATA[SXSW]]></category>
		<category><![CDATA[Terri]]></category>

		<guid isPermaLink="false">http://eyeonfilm.wordpress.com/?p=830</guid>
		<description><![CDATA[In our latest Short End teaser, Reverse Shot&#8217;s Eric Hynes strolls the Austin Convention Center with Azazel Jacobs (TERRI, MOMMA&#8217;S MAN) in search of SXSW cool. Click here to subscribe  to our featured channel at Vimeo.<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=eyeonfilm.wordpress.com&#038;blog=6328082&#038;post=830&#038;subd=eyeonfilm&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>0</slash:comments>
	
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