The Hands of Bresson

Sundry observations on the art of cinema and world film culture

Away We Go

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Maya Rudolph and John Krasinski in Sam Mendes's Away We Go

Scripted by literary-world darlings Dave Eggers and Vendela Vida, and sure to be dear to the hearts of easy-to-please reviewers in thrall to any middling drama bearing the Sam Mendes imprimatur, Away We Go is a defiantly bourgeois, unapologetically conventional indie road movie fueled by preciousness. A zany love story, a pot-holed journey of self-discovery, and a post-religious parable of the Holy Family, the film tracks a too-perfect hipster everycouple on a cross-country trip to find the ideal place to settle down and start a family. Yet the film’s humor is at odds with its liberal, Volvo sedan–motored progressivism, marginalizing misfits and slyly proselytizing best-practice parenting and impossibly idealized relationship dynamics. Life happens, but mostly to other people.

Click here to read the review at Reverse Shot.


Written by eyemaster

June 3, 2009 at 2:52 pm

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