The Hands of Bresson

Sundry observations on the art of cinema and world film culture

The Way Back: An Interview with Peter Weir

with one comment

A pioneering figure of the new independent Australian cinema in the 1970s, 66-year-old Sydney native Peter Weir (The Truman Show) gravitated to Hollywood in the mid ’80s, found success with a handful of well-crafted studio pictures (WitnessDead Poets Society), and never really looked back. At least that’s how it might appear after a cursory glance at his unusual oeuvre, which encompasses everything from 1975’s Picnic at Hanging Rock (an oneiric film awash in foreboding, in which a small-town community disintegrates after a group of elite-school girls eerily vanish en masse during a lunchtime hike) to the rollicking high-seas adventure of 2003’s Master and Commander (about the friendship of a British captain and a man of science in the Napoleonic Wars era). Weir may have forsaken the interior horror of early work like The Last Wave, wherein a lawyer representing Aboriginals is afflicted by disturbing visions and revelations, but his interest in human responses to other kinds of awakenings—grief and trauma in the case of Fearless, for instance—has remained consistent.

Click here to read the rest of my interview at Filmmaker.

Advertisements

Written by eyemaster

March 2, 2011 at 10:10 pm

One Response

Subscribe to comments with RSS.

  1. […] Read the rest here: The Way Back: An Interview with Peter Weir « The Hands of Bresson […]


Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s

%d bloggers like this: