The Hands of Bresson

Sundry observations on the art of cinema and world film culture

Posts Tagged ‘China

Interview with Lu Chuan: “City of Life and Death”

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When Lu Chuan’s City of Life and Death won the top prize at the San Sebastián Film Festival two years ago, it was a testament not only to the emotional resonance and technical mastery of his widescreen black-and-white epic, which dramatizes the infamous 1937 Nanjing massacre at the height of the Second Sino-Japanese War, but a tacit acknowledgment of the film’s daring revisionist ambitions. A graduate of the Beijing Film Academy, Lu had previously directed a small-scale crime thriller, Missing Gun, and the critically well received Kekexili, Mountain Patrol, a rural drama about efforts to stop antelope poachers that screened at Sundance and won the Grand Jury Prize at the Tokyo Film Festival. But the latest film by this talented 40-year-old writer-director, the result of years of research and toil, has a depth of feeling that far surpasses his previous efforts. While previous homegrown films about the massacre (Dont’ Cry Nanjing comes to mind) have mythologized the incident, framing it in crassly melodramatic terms that speak more to patriotic ideology than to the messy, morally complicated realities of war, City of Life and Death unfolds on a monumental scale, detailing the assault on the village, the systematic mass killings of civilians by Japanese soldiers, and the establishment of a safety zone for refugees, all seen through the eyes of those stationed or held captive within the capital city.

Click here to read the rest of my interview at Filmmaker.


Written by eyemaster

May 13, 2011 at 12:44 pm