The Hands of Bresson

Sundry observations on the art of cinema and world film culture

Posts Tagged ‘Latin America

Reverse Shot Direct Address #10: Patricio Guzmán

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Legendary documentary filmmaker Patricio Guzmán (NOSTALGIA FOR THE LIGHT, THE BATTLE OF CHILE) discusses memory, the poetic qualities of cinema, and why slow pacing returns us to the rhythm of life. A nine-film retrospective, “Obstinate Memories: The Documentaries of Patricio Guzmán,” launched in New York at BAMcinématek on April 1, 2011. As always, we tried to match what Guzmán is saying about poetry and pacing with the rhythm of the video itself.


Written by eyemaster

April 6, 2011 at 7:26 pm

Stockholm International Film Festival, Dispatch Two

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My first full day at the Stockholm International Film Festival was unusually adventurous, at least for me. I was staying at the Elite Hotel Marina Tower, a relatively new masterwork of modern Swedish design in residential Saltsjöqvarn, overlooking the fog-laden harbor, and had planned to spend the day watching films in Norrmalm, the city center. Unbeknownst to me, my hosts had arranged for a day trip through the Stockholm Business Region Development office, perhaps as a grand gesture of welcome. I’m not one for sightseeing tours, however sophisticated, but thought it would be rude to decline. So late Thursday morning, I boarded a minivan with an equally puzzled Italian journalist fromVogue, a Croatian festival director from Zagreb, and an editor at Variety, all fun, easygoing people, and it was easy to bond with them as we all had only a vague idea of where we were headed. It turned out to be worth the trip. Fifteen minutes out of town, we landed at Regissörsvillan, an elegant farmhouse restaurant at Filmstaden Solna, the historical grounds where Ingmar Bergman shot many of his movies. Joining us for lunch were Sweden’s film commissioner and Katinka Faragó, Bergman’s longtime assistant (and production manager on Fanny and Alexander), who regaled us with stories of the moody maestro. Then it was off to the scenic island district of Södermalm, Greta Garbo’s birthplace and the city’s chic artistic hub, for a VIP tour that was focused, unfortunately, on Stieg Larsson’s Millennium trilogy. Despite the fact that none of us had read the late author’s books, our guide was unfazed and disarmingly enthusiastic, proudly showing us the real-world settings for Lisbeth Salander’s adventures. Cynicism has no guard against such hospitality.

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